“If I knew that today would be the last time I’d see you, I would hug you tight and pray the Lord be the keeper of your soul. If I knew that this would be the last time you pass through this door, I’d embrace you, kiss you, and call you back for one more. If I knew that this would be the last time I would hear your voice, I’d take hold of each word to be able to hear it over and over again. If I knew this is the last time I see you, I’d tell you I love you, and would not just assume foolishly you know it already.”—Gabriel García Márquez
Rest In Peace (March 6, 1927—April 17, 2014)
Boots were not a part of the fashionable everyday costume during this period, but were worn more for riding, traveling, and hunting. The favorite boots of the last part of the seventeenth century and the first part of the eighteenth century were the heavy, cumbersome, rigid “jack-boots.” The jack boot (Fig. 54 D) was made of stiff leather from. the ankle to just below the knee, where it swelled into a large cup. They were usually provided with large spur leathers over the instep, and to which were attached the spurs. They seem to have gradually lost favor with the gentry toward the close of the first quarter of the eighteenth century. They diminished in size and rigidity, until a boot is evolved built upon the same lines, but lighter and more flexible, fitting more to the shape of the leg (Fig. 54 A) . A small strap was often buckled around the boot just under the knee to hold it more securely in place.
Over the instep was the spur leather. The boots were probably worn for horseback until the Revolution. From these light jack-boots were developed leggings of leather called spatterdashes. They were often cut in imitation of the lighter jack-boots (Fig. 54 B). Buttons and buckles down the side made them fit close to the leg. They were worn over the shoes. Where the legging met the shoe the joint was masked by a large spur leather, making it difficult not to confuse them with the regular jack- boot. Spatterdashes in the form of high leather leggings were also extensively worn (Fig. 54 c). They buckled under the shoe and buttoned up the side. Mention is made of “Thread and cotton Spatterdashes.” the spatterdashes were used to protect the stockings in wet and stormy weather and were worn especially by sportsmen until the end of the century.
Top-boots made their appearance some time in “the latter half of the century,” and because of their elegant and dandified appearance became exceedingly popular with the young bloods. The top-boot (Fig. 54 E), the lower part of which being fitted tightly over the leg, was made of black leather, usually polished; while the tops, that came from a little below the knee to the middle of the lower leg, were of either brown or white leather. So exceedingly trim were these boots that they became “a portion of their walking dress.”
"And is Chaplin—comedy? No: he is Chaplin, pure and simple; a unique phenomenon, never to be repeated. He is unadulterated hyperbole; but above all he stuns us at every moment of his screen existence with the truth of his hero’s behavior. In the most absurd situation Chaplin is completely natural; and that is why he is funny."
"At his best, and Chaplin remained at his best for a long time, he was the greatest comedian that ever lived."
"My religion is cinema. I believe in Charlie Chaplin…"
"He is beyond praise because he is the greatest of all. What else can one say? The only filmmaker, anyway, to whom one can apply without misunderstanding that very misleading adjective, ‘humane’… Today one says Chaplin as one says Da Vinci—or rather Charlie, like Leonardo."
"The master of masters, the filmmaker of filmmakers, for me is still Charlie Chaplin. He has done everything in his films—script, direction, setting, production, performance and even the music… His films are not only examples of perfect unity, but all his work is one. One may say indeed of Chaplin that he has made only one film and that every facet of that film is a different enactment of the same profession of faith."
"All Chaplin’s early films assured me that the comedy can say in a grotesque way much more about people’s characters than serious films, which after a certain time fade away and became ridiculous. Good comedy is immortal."
"When I was young, the idea of an orgy was tremendously exciting. Charlie Chaplin once organized one in Hollywood for me and two Spanish friends, but when the three ravishing young women arrived from Pasadena, they immediately got into a tremendous argument over which one was going to get Chaplin, and in the end all three left in a huff."
"Last year I went to the Cannes Film Festival and met Charles Chaplin. They showed his works. I was deeply impressed by his greatness. His films, his methods and content, are modern and so contemporary; he is a great genius."
"[Did other filmmakers teach you anything?] There was one, an old man whom I had the fortune to meet very old, Charlie Chaplin; he told me that everyone could do this job, but that it is very demanding… He was the only guy who you couldn’t see in bars, nightclubs, or at receptions. He told me one had to stay at home and work…”
Pier Paolo Pasolini
"You can always feel underneath my love for Dreyer, Mizoguchi and Chaplin… I feel this mythic epicness in both Dreyer and Mizoguchi and Chaplin: all three see things from a point of view which is absolute, essential and in a certain way holy, reverential."
"If there is any name which can be said to symbolize cinema—it is Charlie Chaplin… I am sure Chaplin’s name will survive even if the cinema ceases to exist as a medium of artistic expression. Chaplin is truly immortal."
"If something is really happening on the screen, it isn’t crucial how it’s shot. Chaplin had such a simple cinematic style that it was almost like I Love Lucy, but you were always hypnotized by what was going on, unaware of the essentially non-cinematic style. He frequently used cheap sets, routine lighting and so forth, but he made great films. His films will probably last longer than anyone else’s.”
Vittorio De Sica
"Truly good films—like Chaplin’s—should stimulate as well as soothe, should appeal to the mind as well as to the senses, should kindle thought as well as the emotions."
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Scarleteen is a vital queer and trans positive sexual health resource. Their staff do an amazing job of creating really comprehensive and helpful articles on literally every sexual topic you can imagine. They also provide live chats, advice columns, moderated discussion forums, and SMS-based peer support. This site has helped me on countless occasions, and I refer at-risk queer and trans kids to this site every single day.
Scarleteen is invaluable.
And Scarleteen needs your help.
During their annual donation drive this year, the site was only able to raise $1,500. Only fifty people out of Scarleteen’s 350,000 unique monthly visitors contributed to the fundraising drive.
This means that unless Scarleteen sees a stable, sustained, 50% increase in donations, the site will essentially be forced to go dark on May 1. No more new content, no more advice columns, no more forums, no more live chat, no more SMS support.
This is devastating.
If Scarleteen goes dark, millions of young people, vulnerable queer and trans teens among them, will lose access to essential, fundamental sexual health resources. We cannot let this happen.
Please, please, please donate to Scarleteen. Consider making a recurring monthly contribution if you feel that this is within your means. Even $5 or $10 a month will go a long way to helping this very, very deserving organization.
And whether or not you’re able to donate at this time, please signal boost this and spread the word. Scarleteen does incredible, very necessary work, and they need our help.
Dude, Scarleteen saved my shit back in the day. They’ve been around since 1998 and I assure you, they deserve every single penny you can throw at them!
So today is the 1-year anniversary of the launch of the official Doctor’s Cot Gallifreyan Website. To celebrate, I have created a vectored template that includes:
- All consonants written out
- All vowels written out
- Guides for creating 2-, 3-, and 4-Circle Words
This is all done using the sizes I personally work at. Hopefully, this will help some of you on your own translations. It is available in EPS, PDF, and AI* versions and can be found on the For Your Reference page under the “Other Guides” column.
*Is saved using Illustrator compression
This is meant as a template and tool to help in your translations. Please DO NOT repost. It is published under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License
Anonymous asked you:
Could you make a gif set of all the different variations of the TARDIS? I know it may take up more than the space Tumblr gives you but I would love to be able to see all the TARDISes from 1 all the way to 12. Thank you!!
There have been five basic TARDIS shell designs on television in the past fifty years.
(GIFs 1, 2 and 3) The original Hartnell TARDIS was designed by Peter Brachacki and used for the first fourteen years, undergoing various modifications and repairs throughout the Hartnell, Troughton, Pertwee and early Baker eras.
(GIFs 4 and 5) For Tom Baker’s seasons 14, 15, 16 and 17 (The Masque of Mandragora until The Horns of Nimon) a new TARDIS exterior was designed by Barry Newbery to replace the seriously fatigued original. Towards the end of it’s life it lost it’s white roof lamp and a repair was carried out using a standard modern (for the 1970s) rotating blue police beacon.
(GIFs 6 and 7) For Tom Baker’s last season, right through to the end of the run of the classic series (Sylvester McCoy’s Survival) an exterior designed by Tom Yardley-Jones was used. Two identical fiberglass props were made - all previous props were fabricated predominantly out of wood.
(GIF 8) The Paul McGann movie TARDIS was the work of designer Richard Hudolin, and was rather lovely.
(GIFs 9 and 10) Most recently, Colin Richmond created the new TARDIS exterior for the 2005 relaunch. The design underwent some moderate tweaks for the Matt Smith era.
The Mind Robber has a great page covering this subject in much greater detail here:The History of the TARDIS Prop.
✿ COMMISSION/ART GIVEAWAY ✿
Celebratory giveaway because of some recent good news!!! uvu ♥♥ I realise all my samples are deancas but I swear I am willing to draw other things LOL;;
I’ll be picking two winners!
1st winner: Choice of commission in any style found under my art tag
2nd winner: Chibi commission
**Commissions are limited to a max of 2 characters in a pic, sorry :-(
You don’t have to be following me
Please have your ask box open!
Reblog as many times as you’d like but try to keep them spaced out/don’t spam your followers please : ) !
Likes count as entries too
Winners will be picked using a random number generator
This giveaway ends on 23rd April (GMT+8)! Have fun! (*´◒`*)ノ